Supreeth S Bharadwaj – Founder, HARA

Supreeth S Bharadwaj is a passionate theatre practitioner, director, and educator with over 15 years of experience in the performing arts. His deep commitment to theatre and education led to the creation of HARA – Harvesting the Art in You, a platform dedicated to nurturing young talent and integrating theatre into educational curricula. Having directed over ten plays across major cities like Mysuru, Bengaluru, Mumbai, and Nasik, Supreeth has made a significant impact on the theatre community.

His work has been recognized on prestigious platforms, including multiple performances at the National School of Drama (NSD) and the esteemed Jashne Bachpan festival. Apart from theatre, he has also made his mark in cinema, earning widespread appreciation for his role in the movie Daredevil Musthafa. Actively involved in Theatre in Education (TIE) initiatives across Karnataka, Supreeth is committed to using theatre as a tool for learning, expression, and empowerment. Through HARA, he continues to create meaningful artistic experiences that inspire the next generation of performers.

Meet our Founder & Co- Founder

  Bhramara K Udupa – Co-Founder, HARA

Bhramara K. Udupa is a classical singer, Yakshagana dancer, and theatre artist whose artistic journey is deeply rooted in both tradition and innovation. She holds an MA in English from the University of Mysore and has over seven years of experience in theatre, collaborating with some of Karnataka’s most respected directors, including Vid. YM Puttannaiyya, Prasanna, Yatheesh N Kollegal, and Ganesh Mandarthi. Her expertise spans multiple disciplines, allowing her to bring a unique perspective to the performing arts.

As the co-founder of HARA, Bhramara plays a crucial role in fostering artistic expression through structured training and engaging performances. She also leads A Hum, a music band that blends classical influences with contemporary innovation, creating a distinctive sound in the world of music and performance. Her ability to seamlessly merge traditional art forms with modern storytelling makes her a dynamic force in the cultural landscape. She has also worked as an instructor and manager at a national-level theatre workshop conducted by the senior director Prasanna

Together, Supreeth S Bharadwaj and Bhramara K Udupa are redefining artistic education through HARA, empowering young talents and shaping the future of theatre, music, and performance. Their shared vision is to make performing arts more accessible, meaningful, and impactful for aspiring artists and audiences alike.

Sanjith G C – Chief Dance Choreographer, HARA

Sanjith G.C. is a dynamic dance choreographer and certified Zumba trainer with expertise in hip-hop, b-boying, and innovative dance routines. With years of experience teaching at renowned institutions and fitness centers, he specializes in creating engaging, high-energy choreography that caters to dancers of all skill levels. His strong background in class management, fitness assessment, and flexibility training ensures that his sessions are both effective and inspiring. Currently, he is actively involved in choreographing for schools, dance academies, and gyms, promoting movement as a form of artistic expression and fitness.

 B. M. Ramachandra  – Costume and makeup department, HARA

B. M. Ramachandra, widely known as ‘Ramanna,’ is a veteran costume designer and makeup artist with over five decades of experience in Karnataka’s theatre scene. He has collaborated with leading theatre groups like Viveka Ranga, Benaka, and Samudaya, designing costumes for historical, folk, and mythological productions.His family-run center, Sri Rajeshwari Vastralankara, has been a cornerstone for theatre aesthetics, providing costumes for cultural programs and supporting special children's initiatives. A guest faculty at Rangaayana, he has also contributed to major events like the Krishnadevaraya 500th Anniversary and Kannada films like Ranganayaki. For his immense contributions, he has been honored with prestigious awards, including the K.V. Shankaragowda Lantakala Award, Karnataka Nataka Academy Award, Mysore Dasara Award, District Kannada Rajyotsava Award, and the India Book of Records recognition. His legacy continues through his sons, ensuring his impact on theatre endures.

Team

Keerthi S. Bhat-Script writing department- HARA

Keerthi S. Bhat is a gold medalist with an MA in Kannada (First Rank) from the University of Mysuru. A seasoned journalist, she contributes to Andolana newspaper and All India Radio, having interviewed numerous personalities and written 50+ articles across publications. With five years of theatre experience, she brings a creative edge to her work. A valued member of our team for the past two years, Keerthi seamlessly blends literature, journalism, and theatre in her contributions.

Adithya Bharadwaj N-Creative director- HARA

Adithya Bharadwaj N, a Science Teacher by profession and a passionate theatre practitioner, has dedicated over 12 years to the art, evolving from a curious student to an accomplished actor, technician, and director. While his role as Sidrama in Mythri (2015) could have paved the way for cinematic recognition, he chose to stay rooted in his hometown, Srirangapatna, where he continues to nurture and sustain theatre. Mentored by stalwarts like Paramashivan of Gubbi Company, Raju Ananthaswamy, Mandya Ramesh, Janardhan H, Prasanna Heggodu, and B. Suresh, Adithya has developed a deep understanding of acting, music, direction, and design—not just as a performer, but as a mentor and trainer. His theatre space, Gamya (R.) Srirangapattana, serves as a creative platform for young minds to experience theatre firsthand. Actively involved in Theatre in Education (TIE), he seamlessly blends theatre techniques into learning environments, making education more engaging and immersive. With over 20+ directorial plays, musical compositions, original and translated works, and expertise in stage design, Adithya continues to collaborate with various theatre teams, striving to keep the essence of theatre alive both on stage and in classrooms.